At a Glance
Tango was bourn in Buenos Aires, Argentina on 1880. Actually Tango was danced in the brothels and bordellos on the back street of Buenos Aires. That time those ‘illegal brothels’ became known as Academies de dance. So if the police raided the joint, it appeared to be ‘dancing instruction’ going on.
It was Compadritos ( the street man, small time villains, petty criminals and pimps) and Compadres – (the local men of some means, sometimes shady dealings, slightly better off than the compadritos who tried to emulate them) who launched the Tango.The dance probably started out as some form of acting out of the relationship between the prostitute and pimp.
The antique Argentine Tango was influenced by the Tango Habanera. The Tango Habanera came about from two types of Tango: the Milonga with its influence in the guajira flamenca and the Tango andaluz or Tango flamenco. The Milonga was danced and played by country side people of Argentina. The Tango Habanera was an amalgamation of the Habanera and the Tango Andaluz or Tango Flamenco.
It is agreed that the true forms of Argentine Tango Dance that we see today originated in 1938 - 1940 with the short-lived Tango singer Carlos Gardel. Tango must be simply danced, with immense feeling, with a sense of energy flowing between the dancers. This energy grows or decreases as the music ebbs and flows. It is a seduction, or a private conversation, something to be quietly shared, not publicly displayed.
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Music - Slow Latin Ballad
Meter – 4/4
Tempo – 104 beats per minutes
Basic Rhythm – (1) 2 3 4, (1) 2 3 4
Teaching Videos are coming soon...
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Syllabus
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Bronze Level |
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English |
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Basico |
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Basic |
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Comboi de paso en el lugar |
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Weight changes in place |
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Paso al costado |
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Side step |
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Cadencia |
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Rock step |
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Caminada |
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Walking |
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Ochos Para Adelante |
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Forward Ochos |
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Ochos Para Atras |
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Back Ochos |
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Molineta a la Derecha |
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Windmill to the Right |
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Molineta a la Izaquierda |
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Windmill to the Left |
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Basico en el Sistema Cruzado |
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Cross system basic |
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Caminada Variacion |
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Walking Variation |
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Caminada con Giro |
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Walking with turn |
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Sacada con el pie Izaquierda |
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Diaplacement with the left foot |
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Sacada con el pie dence ho |
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Displacement with the Right foot |
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Boleo con Cruzada en Espiral Parada,
Barrida & Pasada con Gancho |
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Boleo with Spiral Cross Stop, Sweep and Pass over hook |
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Parada, Sandwich al Reves &
Pasada con Media luna |
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Sandwich, Pass over with Half Moon |
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Strictly GANCHOS & ENGANCHES |
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Gancho after Parada on left |
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Gancho after Parada on right |
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Gancho from Parada, Sandwich & Pasada |
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Gancho after Back Cross step of Molinete left |
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Gancho from Cross Step of Molinete Right |
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Gancho from Over Turned Back Cross step |
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Surprise Gancho from Cruzada |
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Cadenas with Gancho |
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Back Sacada & Leader’s Enganche to Follower’s Back Cross step |
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Enganche in Molinete Right |
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Barrida to Enganche |
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Reverse Parada at Position 4 to Enganche |
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Enganche from Double Planeo & Reverse Parada |
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Enganche from Enrosque |
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Enganche from Back Ocho with Boleo |
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Revolving Enganches |
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Leader’s Enganche from Change of Direction & Follower’s Enganche |
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Ballroom Dance |
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Latin American Dance |
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Social & Night Club Dance |
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